A Glimpse into the Past

A Glimpse into the Past

Category: Prehistory
Guardians of Horus at Nekhen (Hierakonpolis) of Upper Egypt
Guardians of Horus at Nekhen (Hierakonpolis). The religious and political capital of Upper Egypt
Category: Prehistory
Guardians of Horus at Nekhen (Hierakonpolis) of Upper Egypt
Guardians of Horus at Nekhen (Hierakonpolis). The religious and political capital of Upper Egypt

Hierakonpolis, previously known as Nekhen in antiquity and now identified as Kom el Ahmar, stands as a pivotal hub for exploring the pre-dynastic and early dynastic eras of ancient Egypt. At its peak in ca. 3650–3200 BCE, Nekhen was one of, if not the, largest urban center in the Nile Valley. Through archaeological findings and ancient lore, it emerges as a vital center that once served as the capital of an Upper Egyptian realm before the era of unification, deeply intertwined with the concept of kingship. Archaeological exploration at Hierakonpolis began in 1927 with Guy Brunton‘s observations, followed by Ambrose Lansing’s excavations in 1934-35. Despite searching for significant artifacts, Lansing focused on a Late Predynastic cemetery. In 1958, Werner Kaiser and Karl Butzer highlighted the environmental importance of desert settlements. Research initiated in 1967 under Walter A. Fairservis aimed at studying the origins of Egyptian civilization, continuing intermittently due to political circumstances.

The ancient Nekhen tomb (Tomb 100) painting in plaster with barques, staffs, goddesses, and animals. Possibly the earliest example of an Egyptian tomb mural. Source here.

This city held profound religious significance as a sanctuary dedicated to the veneration of Horus, the deity synonymous with Egyptian royalty, reflected in its traditional epithet, the “City of the Falcon.” While most renowned for being the site where the renowned Narmer Palette was unearthed, dating back to approximately 3150 BC, Hierakonpolis boasts a multifaceted history that extends well beyond this epoch-defining artifact, encompassing a rich tapestry of events preceding and succeeding the palette’s discovery.

Location of Hierakonpolis, with indication of the elite cemetery HK6 and Wadi Abu Suffian. The inset map also shows the other localities mentioned in the text. Map by Wim Van Neer

In just a matter of centuries following its initial settlement during the Predynastic period (6200-3100 BC), the Hierakonpolis vicinity underwent a remarkable population surge, laying the groundwork for its forthcoming economic and political dominance. Judging by the scale of desert communities (measuring between 32 to 37 hectares), the arrangement of residential structures, and the vast necropolises, we approximate that the central region alone harbored a populace ranging from 5,000 to 10,000 individuals. Moreover, investigations conducted across the Nekhen site unveil a surprisingly extensive subterranean settlement component, possibly elevating these figures. Additionally, smaller settlements dotted the peripheries, with villages found to the north and south along the alluvial basin at Mamariyeh and El Kilh, as well as across the river at El Kab. Colonization was likely driven by downstream population growth and the natural expansionist nature of early Predynastic herding and dry farming subsistence economies. Nekhen was particularly attractive for urban development due to various environmental factors, such as the concentration of diverse habitats in a compact, accessible area, abundant fertile soil and raw materials, consistent summer rainfall, the proximity of a former Nile channel to the desert border, and the hydraulic efficiency of the Wadi Abul Suffian.

The outlined motives, designed for easy reference to figures 4 and 5, encompass a variety of themes. These include (1) the portrayal of heroism or a heroic demeanor, (2) the depiction of royalty, conquerors, or leaders in enlarged scale. Often (3a) intimidating prisoners, who may be shown individually or (3b) arranged in a row, (3c) bound together, and (3d) kneeling in submission like other subordinates. Additionally, (4) the presence of a priest adorned in animal skin, (5) figures draped in cloaks, likely in states of repose or submission, with their feet possibly tucked in. Furthermore, there’s (6) confrontation with lions, (7) the depiction of a trussed ox, and (8) the inclusion of a ground-line for context. Also noted is (10) the appearance of a so-called foreign ship, possibly from the early Gerzean (Naqada II, archaeological stage). Further motifs include (11) the bent rear arm, potentially signaling a different narrative. Also, (12) the use of a pear-shaped macehead, presumably wielded by the conqueror or antagonist. Lastly, (13) figures that provoke controversy are sometimes positioned over central boats within the artwork, adding layers of interpretation.

Source from the extremely detailed: Tomb 100: The Decorated Tomb at Hierakonpolis, p.13-15.

Initially, forming a singular expanse, Nekhen presents itself as two distinct archaeological regions. One segment encompasses the low rise situated within the floodplain, representing the vestiges of the township and temple elevation of the Nekhen Dynastic Period site. During the mid-Naqada II period (3500-3200 BC)*, there are indications of deliberate destruction of the primary burials within the wadi cemetery. This destruction could potentially explain the shift of elite burials to the southeastern portion of the site, where the sole known adorned Predynastic tomb was constructed. Famously dubbed the Painted Tomb,” its plastered walls depict a scene dominated by a procession of boats, alongside some of the earliest depictions of motifs that would later symbolize kingship, such as scenes of smiting and combat. Additionally, the imagery prominently features the capture, control, and sacrifice of animals. It’s possibly reflecting the funerary practices once carried out in the now-vanished wadi cemetery, now preserved through these magical representations hidden safely underground.

Potentially portraying the clash between Abydos and Hierakonpolis, the imagery captured on the Gebel el-Arak Knife, now housed in the Louvre Museum and dating back to 3300–3200 BCE, offers a glimpse into the tensions of the time.

During the era of Naqada III (3200–3000 BCE), significant consolidation occurred in Upper Egypt under the leadership of Abydos (one of the oldest cities of ancient Upper Egypt). This markeda shift in power away from the competing center of Hierakonpolis. The struggle for dominance, vividly depicted in various reliefs from the preceding Naqada II period, such as the Gebel el-Arak Knife and the frieze found in Tomb 100 at Hierakonpolis, underscore the rise of Abydos as a paramount force in the region.

Notes

*The city of Naqada has enabled the dating of the entire archeological period throughout Egypt and its environs, hence the town name Naqada is used for the pre-dynastic Naqada culture c. 4400–3000 BC inclyding the culture archeological sites of Nekhen, Abydos, el Badari, Gerzeh culture ect.

Sources

R. Friedman and L. Mcnamara, Hierakonpolis, 2019.

H. Case, J. Payne, “Tomb 100: The Decorated Tomb at Hierakonpolis”, publ.The Journal of Egyptian Archaeology, Vol. 48 (Dec., 1962), pp. 5-18.

M. Hoffman, H. Hamroush, R. Allen, “A Model of Urban Development for the Hierakonpolis Region from Predynastic through Old Kingdom Times“, publ. Journal of the American Research Center in Egypt, Vol. 23 (1986), pp. 175-187.